Moving forward looking backward

It’s pretty widely theorized that we spend a lot of our lives trying to fix our childhood. More to the point, we marry our parents — maybe our mothers, maybe our fathers, amybe some combination of the two.

I think the mother thing came about primarily because, for the longest time, home was a matriarchal area, and the mother was the dominant figure for both little boys and little girls. I’m not sure how valid I see the mother thing — or even the parent of the opposite sex. I think it’s really more of an issue of impact — which parent left more scar tissue on one’s psyche, to be dark about it.

I’ve seen enough evidence of this in my life to feel comfortable with the idea that this is, at least unconsciously, true. Probably partially due to a comfort issue (not necessarily comfort as much as familiar), and partially, at least, a method of resolution and making things right.

I think that maybe a lot of people have issues from the past they are determined to right. This might be mistakes that they made, words or behaviors that they regret and hope to make up for. This might be situations out of their control — neglectful or abusive parenting, for instance — that some deep part of them wishes to overcome. Or it might be something that they simply need ot play through to a natural conclusion.

(I can’t help but hold the idea that this — being psychology — is utter bullshit at the worst, patently oversimplified at best. But we trek on, in search of answers for the questions that haunt and pester us…)

If you have a history of failed relationships (prime example: me), it’s a good idea to look to your childhood to try and find correlations. I think, though, that it’s important (and nearly impossible) to find the right line between flexibility and knowledge — which is to say, assumptions about your past, about causitive factors or reasons for behavior, or even misremembered facts — can lead you way off the path you should be on.

As much as I know, I don’t know anything. Or maybe it’s better to say that I don’t understand anything. Neely likes to say that I’m one of the smartest people that she knows, but maybe that gets in the way of things like this.

I’ve been connecting my rearranging of furniture with breaking off relationships.

Ladies and gentlemen, my life is surreal.

Anyway… I’ve been drawing these connections for the past six months or so, based not on behavior but the emotional or gut motiviations for those behaviors. Which is to say that the need to rearrange my environment is the same gut, instinctive, reptile brain feeling that I get when I feel the need to break off whatever relationship I’m in (speaking of romantic realionships, by the by). Which all traces back to my brother being born, which translates (in my head) to a form of abandonment anxiety, etc.

Neely suggested that maybe I’m afraid of getting comfortable and then being replaced again, and so I end things before someone else can. And Melissa mentioned that I shouldn’t abandon the idea that the rearranging is just my coping mechanism way of asserting control over my life.

Both of which are valid points. And I’ll say that it’s likely, even, that I’m afraid of losing again, and so I make preemptive strikes. But I don’t think that’s it — there’s no sense of fear involved…

I think a large part of me is concerned with seeking out romantic attention for validation of self. That makes total sense to me, given my personality and inner workings, and completely explains diving into relationships and diving right back out. You don’t need a relationship to last to get validation of self out of it — in fact, at some point, you’re getting less validation because you’re not getting it from more and more people.

(Yes, this is horrible behavior, and I recognize that. But I’m approaching this clinically, and besides, who really wants to judge themselves so harshly?)

But I think that maybe in some ways I might be denying myself the comfort of a long-term relationship, related to that whole childhood abandonment thing. Why would I be doing that? There’s a question that I can’t even begin to answer — unless it has to do with feeling, on some level, like I don’t deserve that comfort.

You can’t really change your feelings, I think, at least on a base level. They’re like reflexes, totally out of your control, built-in. I think you can affect them, to some extent, but only over time and with a lot of work.

What you can affect, though, are your reactions to those feelings. Your behavior is totally under your control, if you’re willing to assert said control, to take responsibility for yourself.

And who else is going to do that for you?

There’s a lot of jumble that goes into thinking of this nature, and that’s fine. I think it’s easier to sort it out when you allow yourself to think out loud — and even moreso if you open yourself up to considering the viewpoints of others without flatly rejecting them because they don’t fit your theories or assumptions.

Great. Now my brain hurts. And I’m craving pork and beans, and hot dogs.

Zoinks.

As I lay stying

Nothing beats waking up feeling like Quasimodo, except maybe looking like him.

I’ve had this eyelid infection (some call it conjunctivitis, some call it a stye, and I call it a serious pain in the ass) since Friday. It’s only minorly irritating in and of itself, but then there’s this fairly nagging headache that came along for the ride. You know those headaches that aren’t really headaches as much as they are precursors to the real pain?

Yeah, one of those.

So I guess I’m not really in pain as much as I am in constant anticipation of pain.

Eyedrops be damned (and I’m not entirely convinced, in spite of all the poison warnings on the box, that I didn’t pay a $4.40 co-payment for a bottle of saline solution) — I wonder at this moment if I could learn to sleep with one eye permanently opened?

Ladies, what’s more attractive: an eye swollen half-shut, or an eye missing the upper lid? I know it’s a tough call, but flip a coin if you must; my romantic future may depend on it.

Vacation

There’s only so much time that can pass before things start to creep into your conscious mind.

Catastrophizing, I heard it called this weekend. And I was determined not to think the worst, to worry, until certain conditions fell into place; and even when they did, I decided to not think negatively, to not worry, to not dwell on all the horrible things that might have happened.

And the rational part of my brain still kicks in and says that everything’s okay, just strangely quiet.

But that rational part of my brain is getting quieter.

UPDATE: My friend called. She’s still alive, well, and terrible at keeping up with people. But at least I got to hear her voice again for a bit, and my own voices are back in the shadows, plotting their next evil headfuck.

I still like the post-secret, though. Very touching. Almost makes me wish that I had a secret so I could work on as poignant a way of revealing it to the world anonymously.

The brightest thing ever

I have no idea if that’s true. More light than a billion suns is what I’ve heard, but maybe there’s something brighter than that. The glare at an albino nudist resort, maybe. I don’t know. But this I do know: this is cool shit. Black holes — although I was unaware that black holes had any sort of rotational component (see picture one attached to the article). I would have thought the super-gravity would cancel any rotation in place at the time of becoming a black hole…

More here

LOZT

How many times do you think Harold Perrineau let slip the name “Adebisi” during the filming of this week’s LOST?

And how many more twists can they throw in before they start to offer some real answers? Dangerous ground feels like it might be underfoot…

Muckfuppet

That’s just fun to say, really….

Muckfuppet pre-production has begun in earnest. In fact, I’m not entirely sure that it actually started. It all seems to have a life of its own, in a way. So far, I’ve got Melissa Bush and Scott Ross (both with extensive stage and film experience) signed on in the principal roles, with a few leads on filling the waitress part. Chance Shirley (writer and director of Hide & Creep) has signed on as director of photography, and his wife (along with Chance and H&C co-director Chuck Hartsell – collectively, Crewless Productions) has agreed to produce. I’ve got a couple of leads on locations. Music is being worked on right now (namely, acquiring synch rights to Every Little Thing She Does Is Magic). Mary Catherine Cutcliffe, a friend in California who used to work with Sidewalk, is going to help with the art direction. I’ve got the word out to two other local talents in the editing and cinematography departments, so hopefully I’ll be able to drop those names soon.

Next up is finalizing a budget, raising money (hopefully, that shouldn’t be too hard, but I also have no idea where to begin with that…), and starting some rehearsals.

Night, day: meet fine line

Oh, man — can I not be miserable in waking hours only? I rarely remember my dreams, so the fact that I vividly remember three or four from last night means this is me torturing myself on purpose.

Le sigh.

There’s a sense of longing in me
As I read Rosemary’s letter
Her writing honest
Can’t forget the years she’s lost

In isolation
She talks about her love
And as I read
“I’ll die alone”
I know she was aching

There’s a certain detail seen here
The pen must have slipped to the side
And left a stain
Next to his name
She knows he was gone

And isolation
Is all that would remain
“The wound in me is pouring out
To rest on a lover’s shore”

(Opeth, Isolation Years)

Summer camp all over again

It’s been quite a while since I had to say goodbye to someone.

Not in a break-up sort of way — of course it hasn’t been too long, I think I heard someone say. Nor in a funereal way, not since two summers past. And even that wasn’t so hard, as there’s a sense of finality, of closure, that somehow makes things easier.

My friend left for Atlanta today, to graduate school. Not light years away, not so far that I can’t see her essentially as often as I want to drive over there, not that she doesn’t have family that she’ll be coming home to or friends here that will insist that she come back to Birmingham every so often.

I’m thrown back to the summer camps, though, when you would make friends and become so incredibly close, and so used to their prescence day in and day out. Two or three weeks would pass, and it was time to go home, and there were promises of letters and phone calls and Christmas visits, but none of that is the same. It can’t be.

Everyone that has been around me for the past few months knows, if they were listening, that I have a crush on her. Have, in fact, since I first met her a year or so ago through a mutual acquiantance. But I think I realized over the weekend — as it finally sank in through the packing and the farewell party and the last-minute rushing, as it finally penetrated my head that she was really and truly leaving — my feelings for her are much stronger than I thought, than I was willing to admit to myself, much less anyone else.

I am open to the thought that this is just loneliness, a period of readjustment, to not having her here to make fun of me for thinking Robin Tunney is hot, to watch OZ or bad reality TV shows, to drink ridiculous amounts of alcohol, to talk until all hours of mornings that should never have come. But alone is comfortable to me, really; it allows me to get things done, to work on freelance projects or write or plan films or read. And I don’t think it’s that, really.

But I don’t honestly know anything right now, except that I can so clearly recall the summer of 1986, the last day of the summer program at Duke, saying goodbye to Cynthia, hugging her and never wanting to let go, her parents waiting patiently by the packed car to drive her home, my airport shuttle still twenty minutes away.

Just twelve hours ago, I stood on the driveway behind my friend’s car, the last of her things packed and ready to go, and it took everything I had to let her go.

I’m fourteen years old all over again.

This is not the end. There are many more returns for us both. But right now, cast backward in time, none of that seems to matter.

I miss my friend.

“as long as I can keep my head from spinning back
as long as I can keep my focus on a point that lies ahead
as long as I can move along
as long as nothing too disturbing hits me wrong

then I turn around and I do that all the time
going there feels wrong but the past is so much fun
and all memories are sweeter cause they’re gone
I always want to turn around

there’s a here and now and people to be loved
there are ways to be discovered, there’s a green next to the rough
sometimes I am not afraid to live
and most of all there’s you and what you give

then I turn around and I do that all the time
going there feels wrong but the past is so much fun
and all memories are sweeter cause they’re gone
I always want to turn around

as long as I can keep my head, from spinning back
as long as I can keep my focus on a point that lies ahead”

(Sarah Bettens, Turn Around